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Poetry

Lily-TPE

   

 The Poetry Editor

   

Since 1983, The Poetry Editor has helped poets and writers to become their own best editors.

The Poetry Editor

Reads poems.

Reads aloud.

Hears the voice.

Connects.

Edits.

Reads aloud.

Respects the poet’s voice.

Supports poetry.

Studies poetry.

Writes poems.

Is professional.

Is objective.

Keeps going.

Keeps reading.

Keeps helping poets give their poems their best.

 

Poets write. Poets revise, and poets can become their own best poetry editors. To clarify, let’s look at what’s needed for each of those tasks.

Writing a poem can bring whatever you like, but other people might not catch your meaning or vision unless you revise with your potential readers in mind.

Revising brings new vision in a re-vision. Usually this involves spending a little more time with a poem until you find a fresh perspective or interesting insight. Since a revision shows what you see for a poem, no one can really do a re-vision for you. However, The Poetry Editor can do a critique to help you see your poem from an objective perspective and in a more marketable light.

Editing means that the syntax, grammar, punctuation, and/or spelling need to be modified or improved in some way. This process can be as simple as using spell-check on a computer or looking up words in a dictionary. However, an edit can also be as complex as untangling sentences and phrases so readers begin to have a better idea of what you meant to say.

If you have not yet had a professional critique for a batch of poems or a poetry consult for longer manuscripts, get either of those first, then revise your work accordingly. Since each revision may change a poem’s punctuation or syntax, wait until your poems have reached the final draft before you get an edit.

If you’re self-publishing a book of poems or poetry chapbook, editing will be the last step toward professionalism in your work as a poet, giving you the opportunity to correct any mistakes prior to publication.

For a final edit of the last revision of your poetry book, chapbook, or batch of poems, send $4.00 per double-spaced page in U. S. Funds only with a minimum of 15 pages. [Note: Each page must begin on a separate page. For the final edit, each short poem also requires its own double-spaced page.]

If Mary has previously critiqued the same poems or provided a consult on a manuscript you have since revised, take a 50% discount for the final edit.

If you live in another country, you can get a cashier’s check in U. S. funds from most banks, or you can use Western Union. If you transfer U. S. funds through Western Union, email Mary your first name, last name, country, and money transfer control number (MTCN) exactly as they appear on the form.

Mail your poetry, SASE (self-addressed stamped envelope with adequate return postage), and your check or money order made payable to:

Mary Sayler, P. O. Box 62, Lake Como, Florida 32157-0062.

Long manuscripts of poetry may take longer, of course, but in general, expect your edited work to be returned to you in about two to three weeks.

If you prefer a final edit by email, this can be arranged if you can save a file in Word 2003 format. This does not speed up the actual edit but only the time spent in getting a manuscript from and to you. If you choose this option, use Western Union or send your cashier’s check or money order (in U. S. funds only, of course) by overnight mail to speed the process.

 

 

 

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Poetry Editing & Freelance Editing:
What Poets, Writers & Editors Said

 

“Dear Mary, How exciting it is to work with you. I almost said fun. You have a
Midas touch with words. I thank you
for your good offices and editing.
You are very kind.”

Carlos (M.D. from MD)
 

“As Director of the Christian
Writers Fellowship International,
Mary had a very creative and
innovative vision for what needed
to be done to make CWFI a leader
among other organizations of its type.
Her leadership taught me much about
the craft of writing and about how to make all the different facets of an organization work together. Her soft spoken style was both nurturing and motivating. I'm grateful to have had
the chance to know her in ways that
few others do. We still love to do marathon phone calls in which we talk over everything from soup to nuts.
She is a top notch professional
at everything she does.”

Sandy Brooks (SC)
Former Director, CWFI
 

“My partner and I first met Mary when she was a speaker for our Pen Women Branch. Her knowledge and talent was obvious so we invited her to join our group. Later we asked to use one or two of her wonderful poems in our annual anthology. Her work has added
greatly to our publications.”


Shirley Jordan (FL)
Co-Owner, Two Friends Pubblishing